MARISELA - "VOZ Y SENTIMIENTO"
SPECIAL FEATURE. “Voz y Sentimiento” represented one of the most important moments in Marisela’s career, as it was the first time she dared to record traditional norteño music, incorporating accordion into several promotional singles and proving that her voice could go far beyond ballads and pop.
The production was carried out in California, with impeccable arrangements by Chuck Anderson and direction by Enrique Elizondo. Released in 1998 under BMG, this album is perhaps one of the best‑crafted works of her career. Not only because of the lyrics —which reflect her transition into emotional and physical maturity— but also because it shows her respectful entry into the popular‑music market.
“Ya lo pagarás” is a powerful single that shows a woman who finally opens her eyes and sees reality. Without seeking revenge, she trusts time to do its work and delivers the strong, unforgettable line: “Ya lo pagarás.” Marisela also reveals her sensitivity as a songwriter with “Escríbeme” and “Decídete.”
“Escríbeme” blends her signature guitar melodies with accordion touches reminiscent of old norteño groups, accompanied by a waltz‑like rhythm. The arrangement allows the song to breathe, reflecting a love that failed and now seeks redemption.
“Decídete” is direct and firm, confronting infidelity with intelligence and emotional clarity. Marisela later revealed she wrote it for her mother to sing to her father, explaining the care woven into its lyrics.
The talent of Blanca Estela, precursor of the grupero movement, joins the album with “Vuelve” and “Y a poco no.” Marisela adapts these songs beautifully to her own experience.
“Vuelve” brings a festive norteño cumbia that invites listeners to dance, showing Marisela’s ability to embrace the genre with authenticity and charm.
“Vete con Dios” and “Fácil es perdonar” present simple but powerful stories about stepping aside, letting destiny act, and preserving dignity.
“Y a poco no” and “Quizás mañana” explore regret and emotional awakening, with “Quizás mañana” standing out as one of Juan Gabriel’s most beautiful compositions.
“Por tus mentiras” is a strong, solid song with no room for redemption. The experience is accepted, the chapter is closed, and dignity is reclaimed. Marisela sings with strength, embodying the wounded but resilient woman she portrays so well.
The album closes with bold versions of “Crazy” and “Loca,” adding sonic richness to a project that remains timeless nearly three decades later.
Derechos Reservados
SOLO GRUPERAS 2026
